Technology

Twitter, Bluesky, all that jangly social media shit

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I’ve never really used Twitter. I had an account, but it seems Twitter’s approach to publishing, if you can call it that, doesn’t fit with the way my mind works.

It never clicked, not that I tried that hard. I remember thinking, fifteen years ago, “why would anyone want to put out every stray thought?” That’s how I perceived it. Part of it, for me, is I never care to use my phone for anything but voice calls and texts. Anything beyond that is massively difficult, for me anyway, because it’s so goddammed small. I’m a desktop computer user, and I don’t see that changing any time soon, not for me anyway.

Plus, I tend to be fairly guarded and value my privacy, so blipping out my thoughts doesn’t fit in with my usual approach to communication.

I make extensive use of Facebook. As Facebook increases its enshittification pace, the stream of posts is getting cluttered with a lot of robot-produced crap, which I try to knock back with post moderation, to little avail.

The most useful aspects of Facebook are groups. Great ways to discuss specific issues with people having similar interests and experiences. It’s still hobbled by Facebook’s need to monetize as much as they can. The whole “Business” aspect of Facebook is utter crap. I suppose it would get better if we spend money on ads, but I doubt it, the enshittification being as advanced as it is.

My bitches about it are the needless repetition, saying there’s something new when there’s not, and the overall difficulty of finding the thing you need to respond to or work on. It’s a hot mess, as they say. I’m not mentioning (as I mention it) that it can bring a bunch of clueless people into my work life, but then it’s part of my job to give clueless people a clue, or at least try. “No, I won’t come get your piano, or your moldy couch (only a little mold, on the bottom, not the seat), or, god forbid, engage with people who don’t have the slightest understanding of the business model of every second hand dealer in the world.

Beyond groups, the promotional features of Facebook are a cheap way to promote the buzz, with some downsides, mostly about me having to engage with clueless people, endlessly explaining why we don’t want their trash and certainly won’t expend any effort to help them with it, even if they paid us, to be honest. I can write about this at length, I think, and may do that, chips fall where they may.

So I closed my Twitter account and opened a Bluesky account at kevinphayes.bsky.social. While the political ambience seems to be better, it’s much the same jangly shit to me. I have enough jangly thoughts in my inattentive head without mainlining it from Twitter or Bluesky or whatever. It’s also no less likely to enshittify than Twitter and Facebook, it’s still venture capital owned and controlled. But it’s healthy to reject Twitter and that insane weirdo Musk.

Mastodon is much more attractive to my Indie Web way of thinking about this sort of thing. Real federation is much better than the existing silos or Bluesky’s propietary implementation. But I’m no more active at my Mastodon account than anywhere else (see my most recent posts, informing the world about the Buffalo Christmas Blizzard of 2022). It’s still too jangly and nobody’s made a mass exodus as they are doing for Bluesky.

I’m old school, I guess, and am very happy with my RSS reader. Minimal jangle. Still a disciple of Dave Winer and his wise thinking about news, writing and publishing.

Now are you seeing why I write and publish on my own website? It doesn’t belong to anyone but me. I can move it around. Nobody can take it down, at least not yet.

More later . . .

More on AI

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I’ve been thinking about LLMs like ChatGPT, which I’m experimenting with right now.

After a hazy recall of a dream last night, it occurred to me, in my experience, LLMs are dreamlike in their oddities and quirks. They put things in that don’t make sense, like in a dream where something out of place is right there, being believed by your sleeping mind.

They’re also stubborn, and seem to have a hard time admitting error.

I’ve definitely been rethinking using my ainimal images for publication or profit. It’s not something I want to do. I expect artificially generated images will take work away from skilled human artists. This is a valid argument. I understand it’s my personal view and also understand others’ use of such images can be justified.

So why is “dreamlike” a good descriptor? It’s the suspension of disbelief LLMs share with the common experience of dreaming. It’s the apparent assumption by the LLM that everything’s fine and correct, when a human can detect it isn’t.

Another thought about the danger of LLMs is simply, we’ve been damaged by technology in many different ways, from the dawn of technology, which is a very long time ago. So the damage being caused by LLMs is just more of the same type of thing. Getting upset by this is a common human experience. It hasn’t been the end of the world up to now. I expect LLMs won’t be the end of the world either.

AI likes the transformer shape, so it puts in extras. And I specified “sparks at the very top of the pole”. It kept putting them in the middle. AI doesn’tunderstand power transmission, at all.

AInimals

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I’m experimenting with one of ChatGPT’s image generators. Here are some results. I’ll be writing more about this.

To begin with, it’s not anything close to human intelligence. Kind of dumb, actually, and prone to getting itself stuck in blind alleys. It also has quirks that make it obvious it’s an LLM. Many times I’d ask it to remove a unwanted image part and it would say it did it when it clearly hadn’t.

It’s very plain I’m interacting with just another computer program, a powerful one, of course, but still just a program. It’s quickly clear my input is the most important part of the interaction, needing a lot of thought and careful noting of what the program does with parts of the input prompt.

I went into this experiment to explore ChatGPT’s creative or artistic possibilities. I found it worked well if I simplified a great deal. This isn’t surprising, and fits within my usual aesthetic or design approach of simplify, simplify, simplify. The images here are defined as “image of an animal, 20th century linoleum cut style, contained within a simple circular frame, with lots of white space around the circle, muted colors, only three or four colors maximum, in a square screensize”.

Defining the basic style, such as engraving, lithograph, oil painting etc., gives the program a narrower set of things to choose from when it constructs an image. I’ve been avoiding anything with words, as graphical LLMs have a very hard time, oddly, with words and letters, and can be quite stubborn about insisting it’s spelling or forming letters correctly. It’s good to remember there are humans behind the programming of ChatGPT, who make human decisions based on all kinds of circumstances, such as intellectual property.

Simplification removes some of the quirkiness of LLM, or at least makes the quirks more acceptable. The more complex and realistic renderings tend to have weirdness in the odd place, signs of non-human presence. I’m also not attracted to the discernable AI Style. It’s quite possible I’m just not putting the right words into my prompts.

The program can create some very attractive visual elements, impressively so. Frames, strokes and flourishes are often aesthetically pleasing.

I’m also narrowing down the subject matter, envisioning an “A is for Aardvark” type of sequence. These images appear to be well suited to book or picture form, as well as the web. Children will like them. And everyone likes critters.

More later.

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Later: I’m not going into the social or economic parts of LLM graphical programs. That’s a vast issue by itself, and we’re at the very early stages. We don’t know what real-life impact LLM will have on artists’ fortunes. I’ll write about it at some point, but want for the moment to look at technical and aesthetic aspects of this new thing.

I’m a technologist who’s earned a living in information technology since 1982, so the technical puzzle appeals to my curiosity and I want to see if I can put it to use. I have friends who are very upset at graphical LLMs, coming from an arts professional place. I’m no arts professional, and can be a bit of a money-grubber at times, so it doesn’t feel as dire to me.

P is for Pig

Q is for Quetzal

G is for Gerbil

C is for Cat